06 February, 2008

Kindle vs. Books



OK...so y'all listening to my podcast know my shtick with my last question being a poll as to whether the Internet or the printing press is the more powerful technology. But it's still fun to throw that curve ball out to my interviewees who don't see it coming.

Lately a lot of writers have stood firm with the printing press. And many of them cite the main reason as being the reader's experience of actually sitting down and opening a physical book. They talk about the "hand", they talk about the smell, they all talk about the act of reading a book as being akin to a sensual experience. And they follow up these points as reasons as to why the e-book will never succeed as a medium.

Perhaps those in favor of the printing press and the merits of the physicality of books may be on to something. But what if they're wrong? What if books go the same way that e-mail replaced letters and penmanship has become a dying art? I'm not saying that the Kindle will replace the book, because I really don't know and don't care to hazard a prediction. I honestly don't know. I mean, I think actual books are pretty cool, virtual books are kinda... well... weird. But I also think actual books can be heavy and cumbersome in my backpack but virtual books can be light and fluffy.

FWIW, as magazines and newspapers go on-line so too it would seem that comic books are apparently crossing over to an electronic medium. Comic books? At any rate, I just read an article in favor of the book and thought to share it with you. Read all about it here.




WSC Show #89 - Interviews with Steve Leiva, Alan Kirschenbaum and the Mud Baron




In today’s episode, I speak to strike captain Steve Leiva and revisit with Alan Kirschenbaum at the picket line in front of CBS Radford studios. I’ll also receive a bouquet and have a chat with the Mud Baron. Recorded Monday, 4 February 2008.

Credits
Producer/Host: Tanja Barnes
Music: "Ay Mambo" by Falik
available on
Magnatune.com


05 February, 2008

Olly olly oxen free!




If artists wish to think out of the box, move away from the mainstream and break away from the networks, studios and record labels -- if artists really want to become indie-DIY and create content for the Internet and earn a sustainable livelihood -- they're going to have to understand an aspect of new media called "social media". It's your bloggers, your MyFacers, your UGC. It's everyday peeps. It's me and it's you. In a word it is your freakin' audience.

So everybody in the entertainment industry had better get hip to this new game called New Media. It's a brave new world this Internet is and Ringolevio it ain't. Everybody's gonna have to learn to get along.

Word to the moguls: the time has come to say fair's fair. To pay the rent. To pay our share.

And word to the unions: It's really very simple: Union is union. We are all in this together.

Now. Everybody go out on the Internet and play nicely.

(Just sayin'.)

I found this great blog post by Collin Douma and below is a snippet:



Is this really about picking sides?
How will you ever fill the needs of your consumers if all you do is tell them what they want by saying what you want to hear.

The consumer has a medium now. They don’t call themselves “consumers”, and they don’t label their medium “commercial”. They are “contributors”, and they call it - Social Media.

If you want to play in their space, you better be ready to listen.

The more I deep-dive in social media, the more I realize that it isn’t about replacing traditional media, nor is it an accompanying strategy to a traditional campaign. In fact, it’s about meshing social media concepts into the fiber of what you are already doing.

It may not be a slick, but it can be. It may not be what you are accustomed to, but it will be. It may not sustain the big agencies of Madison Ave, but at least it’s sustainable.

The fight is over, but you can still decide if you win or lose.

Game ovah!

Oh, to be an extra in India

OMFG...my job is being outsourced to Bollywood.

Check it here.

(OK, I'm exaggerating. But who's to say it won't be?)






Zefrank Explains SXSW Interactive In Under a Minute


Zefrank explains the 10 year history of SXSW Interactive in under a minute.


via Fimoculous




Taking the Web Public



Craig Aaron, the Communications Director at Free Press has written what I feel to be a very compelling article as to why the public should participate in the discussion about net neutrality.

Here's a snippet:
For decades, the crucial decisions that shape the Internet have been made behind closed doors by high-priced lobbyists and ill-informed politicians with little or no public involvement. Surely Congress could agree to hold public forums -- online and off -- in every state, if not every district, before making the monumental decisions that will shape the future of the Internet for a generation.

You can pretend the government doesn't matter, that technology alone will magically set us free. But if you want the most revolutionary forum for free speech, democratic participation, and economic innovation to prosper, you'd better have a seat at the table when those rules are being written.

Entire article is here. Even better are the comments this post has received.

My two cents. YMMV.

Oh, and if you don't believe me, go ask a frikkin' ninja!







WSWS speaks to striking writers


Last week, the World Socialist Website spoke to striking writers on the picket lines at studios in the Los Angeles area. The conversations took place prior to the news of the tentative deal between the guild and the studios and networks. They talked with writers about the Directors Guild (DGA) contract, the increasingly conciliatory attitude of the WGA leadership toward the AMPTP, and the general political situation in the United States. More information here.


WSC Show #88 - Interviews with Patti Carr, Steve Skrovan, and Alan Katz




In today’s episode I head out to the picket lines to talk to strike captains Steve Skrovan and Patricia Carr at CBS Radford Studios and Alan Katz at Paramount. Recorded Monday, 4 February 2008.


Credits
Producer/Host: Tanja Barnes
Music: "Ay Mambo" by Falik
available on
Magnatune.com


Prime Time Is Anytime


Click image to get the entire story.


Alan Rosenberg on United Hollywood



Another video posted on United Hollywood produced by Jeff Berman. Go Jeff!




04 February, 2008

Patric Verrone On Solidarity And Rumors



Just posted on United Hollywood. Details here.



Tim Draper is mad as hell



Tim Draper, one of Silicon Valley's most successful venture capitalists and who has been attributed to be the creator of "viral marketing", is mad as hell.

Here he is on the OnMedia panel "Report Card: VC Investment in Content Companies."







WSC Show #87 - Interviews with Juli Crockett, Lindsay Sloane, Eric Weinberg and Richard Mueller




In today’s episode I’ll wrap up a series of interviews recorded last week as I talk to Juli Crockett from IO West, actor Lindsay Sloane and writers Eric Weinberg and Richard Mueller from the picket line in front of Fox Studios. Recorded Monday, 28 January 2008.


Credits
Producer/Host: Tanja Barnes
Music: "Ay Mambo" by Falik
available on
Magnatune.com



Tonight: The Armando WGA/SAG Solidarity Shows event will culminate in a star-studded strike support show, with 100% of the box office going to the Writers Guild Foundation Industry Support Fund.


Kate Walsh (Private Practice, Gray's Anatomy) and Reno 911 creator and star Robert Ben Garant have been confirmed to host the 3-act, 2 ½ hour improv extravaganza.


Robert Garant (along with partner Thomas Lennon) is a top screenwriter, having written the hits The Pacifier, Herbie: Fully Loaded, Balls of Fury, Night at the Museum, and the upcoming Night at the Museum 2.


The Office’s Angela Kinsey, Kate Flannery, and Ed Helms as well as MADtv’s Mo Collins will be joining the cast of regular “Armando” performers including Tim Meadows (Walk Hard, SNL) and MADtv’s Stephnie Weir among other notable iO alums for this incredible night.


Having declared January WGA Strike Support Month at the iO WEST in Hollywood and donating 50% of the box office from select shows to the Writers Guild Foundation Industry Support Fund in a demonstration of solidarity and support for the striking writers, the iO WEST is continuing the support into February as the writer’s strike drags on.


Every night, until the strike is over, iO WEST will be offering $3 well drinks and $2 PBR for WGA members who present their membership cards.


February 4th. 9 PM. Mainstage. $25.

03 February, 2008

Technical Difficulties - Podcast Now Live

After some technical difficulties, the next episode is in fact live and available for listening.


WSC Show #86 - Interviews with Brooks Wachtel and Chip Proser




In today’s episode I talk with writers Brooks Wachtel and Chip Proser from the picket line on WGA/SAG Unity day in front of Fox Studios. Recorded Monday, 28 January 2008.

Credits
Producer/Host: Tanja Barnes
Music: "Ay Mambo" by Falik
available on
Magnatune.com



Special bonus podcast! Below is an interview Chip Proser did as a guest with the Space Show. Here he discusses his new documentary which is now finished, “Gaia Selene: Saving the Earth by Colonizing the Moon.” The discussion was far more comprehensive than the documentary with questions about space solar power, nuclear power, energy from the Moon, energy wars, and more.


powered by ODEO



L.A. TIMES REPORTING CONTRACT OUTLINED IN WRITERS' STRIKE

The L.A. Times has filed this story about an hour ago signaling that the WGA and AMPTP have reach a tentative contract agreement.

02 February, 2008

I just heard on the radio...

That there's a deal in place between the WGA and the AMPTP. A quick perusal on my blogs rss subscriptions shows another blogger -- that is John Scott Lewinski from Wired magazine reporting the same. See details here.

Ironic I heard it on the radio first. Just sayin'.




Herskovitz Takes A Position



This video features Marshall Herskovitz, president of the Producers Guild of America and co-creator of the webisode quarterlife, speaking at the PGA's annual nominees breakfast calling for the AMPTP and the WGA to come to terms and end the strike.




WSC Show #85 - Reinterview with Ed Horowitz





In today’s episode I meet up and have a moment with Ed Horowitz at the picket lines in front of Fox Studios. Ed was one of the first people to be a guest on this podcast. Recorded Monday, 28 January 2008.

Credits
Producer/Host: Tanja Barnes
Music: "Ay Mambo" by Falik
available on
Magnatune.com





01 February, 2008

Miro: An Interview with Nicholas Reville


“There's an opportunity to build a new, open mass medium of online television. We're developing the Miro Internet TV platform so that watching Internet video channels will be as easy as watching TV and broadcasting a channel will be open to everyone. Unlike traditional TV, everyone will have a voice.”, says the co-founder and executive director Nicholas Reville of Participatory Culture Foundation about the future of Internet TV, online video, and their newest project named “Miro”.

Entire article here.


TED Talks David Pogue: A 4-minute medley on the music wars




New York Times tech columnist David Pogue is back with a satirical mini-medley that explains the legal and social history of music and media on the Internet in four minutes.


WSC Show #84 - Reinterview with Naren Shankar



In today’s episode I meet up with Naren Shankar, Executive Producer of CSI. Listeners may recall that Naren stepped up to the mic back in December at the Star Trek Day picketing event at Paramount Studios. Recorded Monday, 28 January 2008.

Credits
Producer/Host: Tanja Barnes
Music: "Ay Mambo" by Falik
available on
Magnatune.com





31 January, 2008

Google Makes A Pact

Google's co-founders Larry Page and Sergey Brin, together with Chief Executive Eric Schmidt have promised to stay at Google for 20 years. More information in this article.

Here's a snippet:

By any measure, Google treats employees incredibly well. Is it possible to treat them too well?

Page: My grandfather worked in the auto plants in Flint, Mich. He was an assembly-line worker. During the sit-down strikes he used to carry this long iron pipe with a big chunk of lead on the end when he walked to work.

Schmidt: For what reason?

Page: To protect himself from the company. I still have the hammer. That's two generations ago, and we've come a long way. I don't think any of our employees have to carry such weapons to work. At least I hope they don't. But that's a big change in two generations. It's common sense: Happy people are more productive.

It's worth noting that Google is not a union shop and likely won't be, even as they spread into the media sector. Just sayin'.



AFTRA Launches YouTube Channel



Not only am I a member of SAG, but I also am a member of AFTRA (American Federation of Television and Radio Artists). Therefore, I pay dues to two separate unions to do the same job. If I worked on stage, such as a Broadway play, I'd have to join Equity, yet another actor's union.

You've heard me complain that I feel that an actor's guild or union should be platform agnostic. I've been told that this is impossible because the purview of each separate union addresses the needs of that specific platform.

However, I call bullshit. This tired response is not an answer. It's an excuse. Maybe this serves more successful actors but it doesn't serve somebody like me in the rank and file. As a "background artist" (* see footnote) I receive very little in the way of benefits from paying costly dues to two guilds. In fact, in the over two decades I've been in AFTRA I do not qualify for their health or pension plan and it's only been recently -- as of last year -- that I've qualified for SAG's health and pension.

With all this talk from WGA and SAG needing to unionize the Internet, I see very little benefit for somebody like myself who is a very small time player in this game. And as a paid up dues member to both SAG and AFTRA, I reserve the right to bitch about it here in my blog.

I really want to know how unions can serve all its members -- not just the rich and famous , not just the working class, but also the very low income struggling artist -- in this digital age. When I asked this of Anne-Marie Johnson, Vice President of SAG, at the Fremantle Rally back in November, her response was to tell me how members could serve the union better. Perhaps she didn't hear me correctly because the question was "How can the union serve its members in this digital age." Not the other way around. At any rate, Johnson is a nice, spunky lady and she works really hard in SAG, so I'm not out to give her any grief. I'm just sayin'.

Anyway, if you've heard the podcast I did with Valerie Harper, she had some sharp criticisms about AFTRA. It's worth mentioning that she, like me, belongs to both unions.

It's also worth noting that AFTRA, unlike SAG, has been conspicuously absent in support of the WGA and their struggle and it makes me curious as to why.

(On a side note, Governer Schwarzenegger, an actor and SAG member himself, has also been conspicuously absent on this issue of the strike which I find questionable at best considering that the labor strike not only affects his former career of which he made millions, but it is also hurting one of the state's most important industries which is losing untold millions. I call bullshit here, too. Hey Arnie...do you get residuals?)

Today in my in-box I received notification that AFTRA has launched their own YouTube channel. Go AFTRA! Welcome to New Media. Now, how can you help me?

--

* "Background Artist" is newspeak for "extra" or "atmosphere". God love the writer who came up with that title because now I can say with pride: "I'm an (working) artist! It's on my tax return!






This Is Nollywood



Nollywood, Nigeria's booming film industry, is the world's third largest producer of feature films. Unlike Hollywood and Bollywood, however, Nollywood movies are made on shoe-string budgets of time and money. An average production takes just 10 days and costs approximately $15,000.

This Is Nollywood tells the story of the Nigerian film industry—a revolution enabling Africans with few resources to tell African stories to African audiences. Despite all odds, Nigerian directors produce between 500 and 1,000 movies a year. The disks sell wildly all over the continent—Nollywood actors have become stars from Ghana to Zambia.




WSC Show #83 - New Media with Stephanie Smith





In today’s episode I meet up with Stephanie Smith to talk about her project that was made specifically with new media in mind. Recorded Monday, 28 January 2008.

Credits
Producer/Host: Tanja Barnes
Music: "Ay Mambo" by Falik
available on
Magnatune.com



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